| Turning the Page April 22, 2024–January 31, 2025 |
| Libby Black, installation view of Photographers Looking at Photobooks, 2017–24 |
| As the saying goes, a picture is worth a thousand words. In its more than ten years, Pier 24 Photography has exhibited many thousands of photographs, and thus hundreds of thousands of hypothetical words. Up until now, every show has begun with the Pilara Foundation Collection and expanded from there. Turning the Page is the first exhibition that does not feature works from our collection. Instead, it looks at and celebrates the photobook, a medium that has undergone its own renaissance parallel to our years in operation. Each of the galleries presents works from a distinct photobook, whether an iconic volume or a recent monograph. The content, sequence, and design of each selected book guided our approach to that particular installation, aiming for a thoughtful translation of its overall tone and intent. Ultimately, Turning the Page invites you to consider how the viewing context impacts our understanding of a photographic project. Among the classic works represented here are Robert Frank’s Les Américains (The Americans, 1958), Masahisa Fukase’s Karasu (Ravens, 1986), Larry Sultan’s Pictures from Home (1992), and Jim Goldberg’s Raised by Wolves (1995)—four photobooks that speak to the breadth of the medium across the second half of the twentieth century. Many consider The Americans so influential that every photobook since has been either in conversation with it or in rebellion against it. Ravens trades Frank’s restless questioning of the American dream for a dark, introspective processing of grief in the aftermath of Fukase’s divorce; both demonstrate how image sequencing can evoke feeling and narrative. Pictures from Home and Raised by Wolves build upon these precedents, combining image sequence, page layout, and text to tell powerful stories and reveal certain truths. Over the past twenty years, photobooks have become increasingly essential to many photographers, offering a distinctive medium for fully realizing their visions—often pushing the boundaries of the book form along the way. This approach to design and layout extends to how several of the featured photographers have installed works from their projects. Few artists have explored the photobook’s range as extensively as Rinko Kawauchi, whose Ametsuchi (2013) unifies book design with her project’s concept and visual content; her lyrical installation echoes the sequence and design within her book’s pages. Vasantha Yogananthan’s A Myth of Two Souls (2016–21) is a series of seven individual yet related photobooks, one for each chapter of the Hindu epic the Ramayana, upon which the project is loosely based. The design of Rose Marie Cromwell’s El Libro Supremo de la Suerte (2018) is based on Cuban charadas—small photocopied pamphlets that guide people in placing bets in Havana’s underground lottery by assigning numbers to everyday objects; Cromwell’s nonlinear approach to image sequencing is also informed by this random system. And in Wires Crossed (2023), Ed Templeton documents two decades of his life as a professional skateboarder in a dense, frenetic sequence evoking the look and feel of the skate world he helped create. These four photographers have conceived unique installations for Turning the Page that speak to the kind of engaging experiences they are known for creating when translating their works from page to wall. Pier 24 Photography has long believed in the photobook as an essential vehicle for both discovering new and exciting photographers, and looking deeply at the history of the medium. Additionally, we have contributed to the photobook community with our own publishing program. As with all of our shows, we hope you will see both familiar works that call out to you as old friends might, and unfamiliar photographers for you to encounter. It is this eye toward the future, with a humble respect for the past, that unifies the work on display. We hope you will join us as we turn the page together. PARTICIPATING ARTISTS:Richard Avedon | Libby Black | Rose Marie Cromwell | Rineke Dijkstra | Robert Frank | Masahisa Fukase | Jim Goldberg | Curran Hatleberg | Rinko Kawauchi | Baldwin Lee | Helen Levitt | Zanele Muholi | Cindy Sherman | Donavon Smallwood | Alec Soth | Larry Sultan | Ed Templeton | Vasantha Yogananthan |
| Rose Marie Cromwell, Martica, 2009–16, from the book El Libro Supremo de la Suerte.© Rose Marie Cromwell, courtesy the artist |
| SCHEDULE A VISIT TO PIER 24 PHOTOGRAPHY We are now accepting appointments for Turning the Page. All appointments to visit Pier 24 Photography are made online. Appointments are available Monday–Friday, 10:00am–5:15pm. Click HERE to make an appointment. |
| Rineke Dijkstra, installation view of Beach Portraits, 1992–2002 |
| ABOUT PIER 24 PHOTOGRAPHY Located on San Francisco’s Embarcadero, Pier 24 Photography provides a quiet, contemplative environment for viewing photographic works. We seek to engage the community through exhibitions, publications, and public programs, and we welcome members of the public, academic institutions, and museum groups for self-guided tours that last up to two hours. Pier 24 Photography is free and open to the public Monday through Friday by appointment. |
| Pier 24 Photography | 415.512.7424 |
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